Review: Made in Dagenham (2010, Dir. Nigel Cole)

We're not gonna take it: Sally Hawkins heads the movement in Made in Dagenham

Made in Dagenham--The female-driven, sticking-it-to-the-man power grab has basically made itself into a genre now, with Nigel Cole's newest film being no exception. Detailing the female workers' struggle to achieve equal pay in the male-dominated corporate culture of Ford automobiles, the film walks an impressively tight line between light-hearted sparkle and tasteful docudrama. This is in part due to Cole's direction, for he's depicted cinematic femininity before (2003's Calendar Girls) and knows how to make a film feel both accomplished and polished. He's assembled a strong cast led by Sally Hawkins, playing factory worker Rita O'Grady who becomes the spokeswoman for her co-workers' plight for recognition and fairness. 

Hawkins is beyond superb--she energizes this true story (albeit familiar formula), making it bounce with her perfect comedic timing or warm with her heartful and empathizing performance. She embodies the spunky strength and determination while basing her character in reality--she never hits a false note, for Hawkins is a pro and knows exactly where to take this character. She breathes compassion and complexity into Rita, just like other supporting players do with their roles. Bob Hoskins, Geraldine James, and especially Rosamund Pike and Miranda Richardson all give solid turns; Pike and Hawkins share one of the best scenes of any film this year while Richardson more than makes the most of her character in about five brief scenes. Her presence is stammering and her wit is intimidating--Richardson personifies both power and the humanity it shelters. The film never wanders into unnecessary distractions as its tone is maintained and focus is clear, but it does hit a few cliche bumps along the way. With films like Norma Rae, Iron Jawed Angels, and North Country coming to mind, it's no surprise that Made in Dagenham hits a few familiar notes (elements ranging from male adversity to montage sequences seem somewhat recycled) and its rather simple storytelling is too slight and nearly borders on bland. But Dagenham isn't a film that shoves itself down audiences throats, and that's something to be admired. It's enjoyable, effective, and emotional, and a showcase for the wonderful Hawkins. 

Grade: B+